Morbonoct Ukraine
Morbonoct, as a studio project, started in 2021, with the release of the debut album Anmet. The line-up includes Alexander Medvedev, who is responsible for all the instruments. In mid-2023, new vocalist David Welnicki joined the project. The main idea of the project was the space theme, which is also reflected in the sound and accompaniment of dense atmospheric canvases in the background. ... more
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Striving Toward Oblivion
by VORGA
supported by 13 fans who also own “Morbonoct - Galactic Gloom”
Un album dense et une atmosphère oppressante. Mélodique et puissant. 3/5
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supported by 10 fans who also own “Morbonoct - Galactic Gloom”
Ἡ εἰκών was an impressive debut, but way too short! Luckily, Ψευδομένη arrives to satisfy the urge for more of what made its precedessor hit hard and fast: some atmospheric moments (don't be deterred as this is still brutal, dissonant and disgusting to the core) and at the same time, J.L. is exploring longer tracks - e.g. my personal favourite - and implementing some cavernous lows. If there's one thing we can all agree on, it's most likely that this man refuses to stand still. What a pace!
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supported by 9 fans who also own “Morbonoct - Galactic Gloom”
Firstly, I will never tell what I saw on that cover art at first glance. Secondly, Ἀντιτιμωρουμένη brings even more dissonant and caustic sounds to the table than Τρωθησομένη, making it less immediate and therefore more challenging. But starting with track 4, something collapses, this album plunges into complete and utter disarray and will not stop for a second to haphazardly assault you for the remaining 30 minutes of its runtime. Breathtaking? Yes. Suffocating? Yes. Great? Absolutely.
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Annihilation for Esoteric Nascency
by Celestial Annihilator
featured on Bandcamp Radio Sep 1, 2023
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Dreams Of Fragmentation
by Cailleach Calling
featured on Bandcamp Radio Mar 18, 2022
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featured on Bandcamp Radio Oct 12, 2023
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supported by 9 fans who also own “Morbonoct - Galactic Gloom”
An outstanding beast of an album! After testing the waters with Ἡ εἰκών, delivering more of that on the twice as long Ψευδομένη, J.L. seemingly decided to make Τρωθησομένη at least twice as aggressive. The atmosphere its predecessor had has been cut and replaced by riff after riff after riff. Riffs of all sorts, as should be noted: punky, pumping, sick, and grooving. It's like getting clapped by a frenzied maniac for 40 minutes straight. One of the wildest albums I've heard in a while!
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